objectives:
closed tight space that goes on forever
. . .flames reflecting on the glass surfaces of the beverage coolers in the Guernsey market
- -fire and ice . . .
phone meeting with Sally:
- she would like to come for both creative build and to see the production - requires CC grant, Gini will inquire
- nb permission for universities and colleges to produce the play had been pulled in the past, then Rick Knowles had made an inquiry . .
- she saw the Douglas College production and appreciated it
- she continues to write: Flotsam . . may be produced at Douglas
- she connected the content from the reference book to the history of the Cathars
- running time: each act is 45-50 min: 1.5 h remains the target length, meaning that Gini will hold on making cuts until a more complete read
- our version is from the 1989 production - had negative reviews (***James to research)
- had a strong working relationship with Sky Gilbert at the time
- she begun changes after that production but did not proceed
- on the subject of Gini's work to expand the cast: ***Sally feels very strongly that the Mother and Margaret are to remain the same person
- Gini will proceed with a conversation about potential changes regarding the sensitive and authentic reading of the play . . .
- staging note - there will likely be multiple characters on stage (even though we do not hear from them . . there is a trace of them that lingers, that lurks) and there may also be some line doubling as it makes sense, following the line of thinking above
***see the source book for Sally Clark - Gini will copy exact pages re Gilles et al
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much excited about forthcoming contributions from Casey and Brittany :-D
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